DECAY, a graffiti writer and mixed media artist from Montalban, brings his raw visual vocabulary shaped by heavy metal, vandalism, and the energy of a thousand Kobra drinks.

Redirecting this energy inward, his paintings Elephantiasis in the Room, The Doorman’s Dead Language, and two untitled works present a shift in his practice, exploring the depths of surface-marking using an arsenal of tools. The end product is a visceral collage of torn anatomies, saturated colors, and hair-like linework with traces of calm underneath the rupture.